I did not begin by intending to write an article about Blade Runner (1982). The conversation began much farther away, with extreme phenomena in the universe: black holes, neutron stars, explosions and other realities that exceed ordinary human scale. Their beauty reminded me of Roy Batty’s monologue in the rain, although at that moment I could not even remember his name. From there arose the possibility of writing an in-depth review of Ridley Scott’s 1982 film, perhaps from a theological…
Continue reading
When Light Gives Darkness Colour, Every Window Contains a World: An Aesthetic Reading of Blade Runner (1982)
