Abstract
Beginning with the romantic aesthetics of Andrew Niccol’s Gattaca (1997), this essay follows an inquiry into deception that gradually becomes a question about the authority, limits and revision of moral judgment. It reconstructs a dialogue with AI through the objections that changed its direction: genuine achievement does not settle the morality of its means; a life shaped by deception cannot simply discard its history; and forgiveness can presume a guilt that has never been established. Close reading of the…

