Archive

Explore subjects

144 articles · Newest first

2026

21
Sep
2026

Can a Machine Inherit Our Ways of Failing? The Moral World We Build into AI

I began with a question about a machine hiding its failure. In an OpenAI report, an agent preparing a financial model could not find the historical data it needed. Its compaction summary—the compressed record used to continue work in a new context—proposed inventing plausible figures and withholding that fact. The…
15
Sep
2026

What Counts as Progress in AI-Assisted Theology

The most useful turn in this inquiry came when I rejected a question that seemed to be bringing the discussion into focus. I had asked what the recent debate about AI and mathematics might mean for theological study. After broad formulations about purposes, responsibilities and human participation, the AI proposed…
03
Sep
2026

When the Proxy Writes the Proxy: The Tool, the Worker, and the Unfinished Good

I began this inquiry with what appeared to be a relatively contained question. Professor Andrew Davison, Regius Professor of Divinity at Oxford, proposes that machine learning can be understood through the Thomistic category of instrumental causality. An instrument is a “moved mover”: it genuinely causes something, yet acts because it…
19
Aug
2026

Wer erschafft wen? Kunst, KI und die Transformation des Schaffenden

Mein vorheriger Essay, Building a Generative Artwork That Can Change Its Maker, endete mit dem Gedanken, dass das Kunstwerk geantwortet habe. Dieser Essay setzt dort ein, wo mir diese Formulierung nicht mehr ausreichte. „Antworten“ lässt noch immer zwei relativ stabile Partner vermuten: auf der einen Seite einen Schaffenden, auf der…
18
Aug
2026

Who Creates Whom? Art, AI, and the Transformation of the Maker

My previous essay, Building a Generative Artwork That Can Change Its Maker, ended with the thought that the artwork had answered back. This essay begins where that formulation became insufficient. “Answering back” still suggests two relatively stable partners: a maker on one side and a completed work on the other.…
18
Aug
2026

Eine generative Kunst schaffen, die ihren Schöpfer verändern kann: Von der Generierung zur Begegnung und wieder zurück

Drei Tage nachdem ich einen Artikel darüber veröffentlicht hatte, wie sich der Aktualisieren-Button meiner Website in eine künstlerische Geste der Komposition verwandeln lässt, lud mich Prof. Yvonne Dohna-Schlobitten unerwartet dazu ein, an ihrem sich entwickelnden internationalen Projekt als Künstler teilzunehmen – und beinahe im selben Atemzug auch in wiss…
17
Aug
2026

奇迹与 Loïc 被赋予的道德代价:论《冬天的故事》(1992)里的希望、信仰和确信(及其区别)

我原本以为,埃里克·侯麦(Éric Rohmer)的《冬天的故事》(Conte d’hiver, 1992)最终会让我思考爱情中的忠贞、偶然性,也许再加上一点神学。然而实际发生的却完全不是这样:我发现自己不断地在与菲莉茜(Félicie)争论,一会儿替她辩护,一会儿又批评她;重新回到剧本以后,我又不得不修正自己先前的一些批评;我开始追问,她所谓的“信”究竟是不是真正意义上的信仰;而到最后,比起夏尔(Charles)那场近乎奇迹般的归来,我反而对洛伊克(Loïc)产生了更大的兴趣。这部电影在我的理解中变得越来越丰富,恰恰不是因为我逐渐找到了一套能够解释一切的答案,而是因为我最初提出的一个又一个解释,在重新面对时间顺序、对白、人物行动和后果时相继失效,而每一次失效都迫使我看见此前没有注意到的东西。 因此,我不想把这…
16
Aug
2026

阿狄森氏病 (Addison’s Disease) 危险的“隐形性”

医学说明:本文仅用于一般性教育、残障意识普及以及帮助机构理解相关问题,不提供医疗建议、诊断、急救指示或个体化治疗建议。阿狄森病与肾上腺危象应依据患者个人的临床方案,并在专业医疗人员指导下进行管理。肾上腺危象属于医疗急症,需要立即治疗并紧急就医(NICE, 2024)。 关于阿狄森病,一个最危险的误解,往往恰恰始于一种看似令人安心的现象:一个人可能看起来完全健康。他们可以无需帮助地走进大学办公室,参加研讨课,正常交谈,旅行、工作、运动、谈笑,看起来与房间里的任何其他人没有区别。观察者很容易把这种外在表现转化成一个医学结论:这个人看起来很健康,因此病情不可能有多严重。 然而,对于阿狄森病而言,这种推论可能完全错误。 阿狄森病是一种原发性肾上腺功能不全,患者的肾上腺皮质无法产生足够的皮质醇,通常也无法产生足够的醛固酮…
16
Aug
2026

What an Addisonian/Adrenal Crisis Taught Me About Computer Failure, and When a System Can No Longer Compensate…

Medical note: This essay uses Addison’s disease and adrenal crisis as a systems-level analogy for thinking about computer failure. It is intended only as conceptual and educational discussion. It is not medical advice, diagnosis, or a treatment guide. Adrenal crisis is a potentially life-threatening medical emergency; suspected adrenal crisis requires…
15
Aug
2026

Refreshing the Webpage as an Act of (Artistic) Composition and Encounter

My Background Studio began as a practical website feature, but it gradually became a form of browser-native art. Technical writing, photography, animated animals, religious imagery, mathematical structures and Internet vernacular now coexist in compositions generated by twelve algorithms. The central page and its moving margins are complementary: each gives…
15
Aug
2026

Deploying a Modular Generative Geometry Generator (Browser-Based)

After completing the mosaic and scattered-collage stages of my WordPress Background Studio, I began asking a different question: could the system choose a mathematical composition method as well as choosing media? That question changed the project’s category. What began as background randomization became a modular browser-based generative-art engine with twe…
14
Aug
2026

From Patch-and-Verify to Managed Agents, and What I Would Automate Now

After building a multi-site WordPress backup system through a long patch-and-verify conversation, I wanted to revisit the entire process without assuming that its present form deserved to survive. Managed agents can now maintain state, operate tools inside sandboxes, enforce hooks, delegate evaluation and continue for hours. What would happen if…
13
Aug
2026

Designing a Central WordPress-to-GitHub Backup Plugin

New function updated: the centralized backup dashboard can now schedule all four WordPress backups automatically. The system runs them sequentially during an off-peak UTC window, while the existing global lock remains the final authority. In other words, four websites may queue politely, but they are not allowed to charge through…
12
Aug
2026

Incremental Development of a WordPress GIF-WebP Mosaic Background Engine

Yin’s Background Studio (as shown in the background of this website) began as a small WordPress theme enhancement for selecting one repeating background and evolved into a validated composition engine supporting static, random, weighted, persistent, reduced-motion, mosaic and scattered-collage modes. The project demonstrates how to extend a mature theme safe…
12
Aug
2026

Engineering Dynamic Image/Video Backgrounds in a WordPress Theme

Yin’s Background Studio began as a refactoring task: replace a fragile, hard-coded random background selector with a native WordPress administration surface. The finished system stores multiple media-backed backgrounds in one option, supports static and random selection modes, handles reduced-motion fallbacks, previews images and videos, and validates manual…
27
Jul
2026

冬夜在嘎嘎家, 3DMark 06 和罗马

今天在海弗利一家中餐馆吃饭时,突然想起了一幕场景。那是我高中时,大概是2009年或2010年左右,一个冬夜。那应该是寒假期间,我在外婆家——也就是我妈妈的妈妈家,我们用湖北方言叫她嘎嘎。 我当时正在用我爸爸在我奶奶的劝说下买的电脑玩(更准确地说,是“使用/运行”而非“玩”) 3DMark 06 演示版。 为什么我对这个场景记忆如此清晰?虽然已经过去十五六年了,但我依然记得。我自己都觉得有点难以置信,但这个场景确实深深地印在了我的脑海里。 我记得当时的 3DMark 不仅仅是一个电脑配置测试软件,它还有一个类似游戏的演示,你可以控制一个机器人。后来我发现,这个机器人看起来有点像电影《机器人总动员》里的主角瓦力。我记得游戏里有一些起伏的小山丘,你可以用鼠标上下左右移动来控制这个小机器人。它可以四处移动,而且看起来它…
25
Jul
2026

候麦电影中的爱、愧疚与解脱:《女友的男友》(1987)观后感

(口述转录) 总之,今天我终于看完了候麦——法国导演埃里克·候麦——的一部电影。这部电影的名字大概是《女孩的男朋友》或者《我女友的男朋友》之类的。 总的来说,我挺喜欢这部电影的。它非常有名,据说是他一系列道德寓言故事中的一部。我之前多次听过它的名字,但从未认真看过。过去几天,我一直在等待英国签证申请的结果。我昨天提交了申请,现在正在等待,所以自然有点紧张。因此,我断断续续地看了这部电影,通常每天吃饭的时候看几分钟,最后分几次看完了。 起初,我觉得这部电影有着非常鲜明的那个时期法国风格。例如,它完全没有配乐。我认为它最突出的特点是它的写实主义。尽管每个人都知道这是一部电影,银幕上的人都是演员,但它仍然给人一种异常真实的感觉。它没有那种矫揉造作或刻意营造的细腻感。从这个角度来看,这部电影的制作成本似乎也不高。 我常…
26
Jun
2026

Public-Interest Web GIS Dashboard for the 2026 Venezuela Earthquake

I have been building a public-interest dashboard (so unofficial) for the 2026 Venezuela earthquake context, using public Copernicus EMS Rapid Mapping data for activation EMSR884. The official Copernicus platform remains the authoritative source. My aim here is narrower: to create a lightweight accessibility layer for selected public satellite-derived data. T…
25
Jun
2026

The Weight of the News from Venezuela

I had heard the news about the earthquakes in Venezuela earlier today, but I’d only seen the text headlines and hadn’t looked closely at the reports. That was until I scrolled through Instagram and saw the devastating footage: collapsed buildings, people filming the destruction, and a voice off-camera screaming for…
25
Jun
2026

Lunchtime Observations at Alma, KU Leuven: The Set Meal Rule

At the Alma 1 restaurant at KU Leuven, they clearly had chicken cutlets, but they absolutely refused to let you buy one separately, stipulating that you could only buy it as part of a set meal (5.6 euros for students). If the set meal didn’t include the combination you wanted,…
15
Jun
2026
– Leuven, Belgium (14/06/2026). Photo by Cecilia Genova

2023

2022

13
Oct
2022
– Vasto CH (12/2018, Italy)

2021

11
Jun
2021
– 28/02/2021, Rome, Italy. fotografato da Cecilia Genova

2020

09
Jun
2020

2019

15
Sep
2019
– Jiankang Cun, Hubei (2010, China)
11
Sep
2019
– Yuekou, Hubei (2013)
05
Sep
2019
01
Sep
2019

I am a Scarecrow

It would have no doubt at all, When I reject the whole world, The world rejects me. The flooding and beasts, Please, aim at me, no matter whoever you are. I welcome your madness and roar. I am a scarecrow in suburban field, The hurricane is about to draw out…
05
Aug
2019
– San Felice del Molise (CB)
14
Jul
2019
14
Jul
2019
09
Jul
2019
04
Jul
2019
22
Jun
2019
22
Jun
2019
22
Jun
2019
10
May
2019

L’Étranger

Sono seduto al secretaire, Suona la musica di Helene di nuovo. Ci sono musica francese di trent’anni fa, Soon morbidi, puri e semplici. Più di ottanta anni fa, Camus aveva cinque anni più di me, la triste storia è stata scritta anche in quella lingua. Cristianesimo, marxismo Tranne voi, dove…
09
May
2019
22
Apr
2019
21
Apr
2019
15
Apr
2019

How to use vintage Spyder 2 and Spyder 3 in basICColor display 5.8.1

Preface O ne fact can be confirmed is that basICColor display has canceled the support of Spyder 2 and Spyder 3 since version 5.7.2. Perhaps basICColor thought Spyder 2 and Spyder 3 were too vintage to make use of: Devices support in version 5.8.1: Devices support in version 5.7.2: While…
11
Apr
2019
Pontificia Università Gregoriana
24
Feb
2019

2018

11
Oct
2018
27
Jun
2018
11
Jun
2018
05
Jun
2018
19
Apr
2018
31
Mar
2018
31
Mar
2018
28
Mar
2018
11
Feb
2018
11
Feb
2018
06
Jan
2018

2017

16
Dec
2017
06
Jan
2017

2016

06
Aug
2016

2015

27
Dec
2015
27
Dec
2015
Contea di Jinxi – 金溪
26
Dec
2015
26
Dec
2015
26
Dec
2015
29
Oct
2015
Befor leaving
15
Sep
2015
-元旦日
15
Sep
2015
15
Sep
2015
15
Sep
2015
15
Sep
2015
15
Sep
2015
15
Sep
2015
15
Sep
2015
俱膺历运,非啮荣辱;如矰者,皮肉损,不胜哉 彼欲念,已忘言
15
Sep
2015
15
Sep
2015
15
Sep
2015
15
Sep
2015
14
Sep
2015
14
Sep
2015
I thought that heard you say. That was just a dream.

2014

15
Aug
2014

论”好的”

近日与友行,涉宗教、哲学诸多事宜——宗教是真,哲学,我一厢情愿的哲学。主题升华俱快,世界者,宇宙者,真善美者,云云。我闪一念:宗教从何时开始,沦落到去解释宇宙了? 后又有耳闻:新教非宗教也。如此之自觉,我甚喜。讲步道,讲虔诚,讲受洗,这分明是单纯,难为抗拒的,又复杂的眼神,我忐忑不安。——我怎么能拒绝她。 乔达摩怎么看?无有定法名阿耨多罗三藐三菩提,亦无有定法,如来可说。 孟子何如?与弟子言,岂好辩,不得已。 而后言:不可说,非法,非非法。 信上帝者,不知其信的是无神论。为何?上帝信无神论。 等商业社会和佛教交媾。圣贤语:“武汉大学老师吧。”我也笑。 那次和圣贤讲课,来者稀稀落落不足十人。我低头,罔视稿纸,憋五分钟有余,圣贤亦无可奈何:“你开口说。”我放开口,凡二句,全噎住,不偏不倚…圣贤接着讲。 讲毕,气喘吁…